Royal College of Music presents first events as part of Music, Migration and Mobility project〶Ä
Tuesday 24 November 2020
The Royal College of Music is presenting the first in a series of events as part of a major research project into the legacy of migrant musicians from Nazi Europe in Britain. Funded by a £900,000 Arts and Humanities Research Council (AHRC) grant, Music, Migration and Mobility is a performance-led research project which hopes to shine a light on little known music by migrant composers and the impact of migrant musicians on music in Britain.〶Ä
The multi-disciplinary project is led by HÂþ» researcher Norbert Meyn with co-investigators Peter Adey, Professor of Human Geography at Royal Holloway and Nils Grosch, Professor of Music History at Salzburg University. Based on archival research, project outcomes will include recordings and live performances of previously unknown pieces as well as an open-access online resource featuring interactive story maps, biographies, recordings and oral history interviews.〶Ä〶Ä
On Thursday 3 December, the HÂþ» will host the first academic symposium for the project, where the research team will outline its approach with presentations from London and Salzburg and a performance by Ensemble Émigré. The event is hosted in partnership with the Austrian Cultural Forum and Professor Colin Lawson, Director of the HÂþ», will speak. The full programme for the online event and free tickets
The project’s first musical event was broadcast online on Friday 20 November and featured the music of Mátyás Seiber. Commemorating the 60th anniversary of Seiber’s death, the event featured performances by HÂþ» musicians, followed by a Q&A with the composer’s daughter Julia Seiber-Boyd, Norbert Meyn and HÂþ» musicologist Beth Snyder. Born in 1905, Seiber was a Hungarian-born composer whose music was influenced by folk song, jazz and Schönberg’s serialism. Amidst worsening conditions for Jews in Hungary and Germany he emigrated to Britain in 1935, where he became a respected teacher of composition, founder member of the Society for the Promotion of New Music and choral conductor. His works include ballets, comic operas, chamber music, songs and film scores. The concert can be viewed on demand on the
Norbert Meyn comments, ‘I am delighted that we are beginning to share the fruits of this fascinating project publicly, albeit online due to the coronavirus pandemic. Our symposium will be an opportunity for us to present our initial findings to the academic community and I am thrilled that〶Äthe event will feature a concert with Ensemble Émigré, as performance is at the heart of this project. Similarly, it was a joy to hear Seiber’s music brought to life by talented HÂþ» musicians and I look forward to all we have planned for 2021 and beyond.
In the new year, further events tied to the project will see HÂþ» musicians performing the music of more composers who migrated to Britain from Nazi-ruled Europe during the 1930s and '40s. Pieces unearthed by the research will be recorded, some for the first time, and scores will be made available. To find out more about Music, Migration and Mobility,